In The Process of...
an online anthology where ten artists present works in progress
John Carberry
Pinioned II
In the Process of...
In the Process of... is an online anthology in which a group of artists present work and productions in progress. Based in different countries, and working in disparate fields, the artists all share the practice of process based working methods.
Loosely connected through professional encounters and friendships, the artists are also connected by their decisions to live and work away from what might be considered the dedicated centres of art.
This web based exhibition showcases works in progress. Presenting a selection of ongoing projects and processes, in which they convey substantial aesthetic statements.
Vision and Sound John Carberry
Choreography and Performance Sym Parr and Jessica Hesford
Digital Video
Monochrome
Duration 02:56
Aspect Ratio: 16:9
The central theme of the ‘Pinioned’ series is feeling trapped in repetitive cycles. With all the disruptions of the past few years I feel my days have all become virtually the same. The process of making videos and animation can become monotonous after the initial excitement wears off. Multiple takes of shots during filming and watching footage over and over during the editing process is repetitive. It requires a conscious effort to look at the subject with fresh eyes. In my work with dancers I feel they have similar problems with rehearsing the phrases and then multiple performances of the same piece.
I am inspired by David Hockney's work with polaroids. He would go from room to room in the houses he was staying at, taking a photo of each room. He talked about how he realised he was also capturing time as he went along as the sun would move in the 30 minutes or so that he was taking the photographs. Video does the same thing already much faster so I have been thinking about how to show that process in other ways. So I have been layering strips of different takes over each other.
Using multiple takes at once you see the variation and the passage of time during the process of recording the footage. It breaks up the human form in compelling ways that accentuate both the movement, and the body. Pulling and pushing the human form apart/together. It plays with the human brain's ability to seek out other human shapes, like seeing faces in clouds.
The Sound design is composed of recordings of the familiar sounds of car engines and the fan of my computer. I altered the recordings digitally to be warmer and less abrasive. I wanted to use the repetition of the mechanical devices to set the beat of the audio, and highlight the fluidity of the dancers movements.
The variation ‘Pinioned II’ is ultimately about finding new ways to stay interested in your daily grind.It can be dull, but there is some comfort in repetition and you can always do things a little differently.
Pinioned II
2022
Vision and Sound John Carberry
Choreography and Performance Sym Parr and Jessica Hesford
Digital Video
Monochrome
Duration 02:56
Aspect Ratio: 16:9
The central theme of the Pinioned series is feeling trapped in repetitive cycles. With all the disruptions of the past few years I feel my days have all become virtually the same. The process of making videos and animation can become monotonous after the initial excitement wears off. Multiple takes of shots during filming and watching footage over and over during the editing process is repetitive. It requires a conscious effort to look at the subject with fresh eyes. In my work with dancers I feel they have similar problems with rehearsing the phrases and then multiple performances of the same piece.
I am inspired by David Hockney's work with polaroids. He would go from room to room in the houses he was staying at, taking a photo of each room. He talked about how he realised he was also capturing time as he went along as the sun would move in the 30 minutes or so that he was taking the photographs. Video does the same thing already much faster so I have been thinking about how to show that process in other ways. So I have been layering strips of different takes over each other.
Using multiple takes at once you see the variation and the passage of time during the process of recording the footage. It breaks up the human form in compelling ways that accentuate both the movement, and the body. Pulling and pushing the human form apart/together. It plays with the human brain's ability to seek out other human shapes, like seeing faces in clouds.
The Sound design is composed of recordings of the familiar sounds of car engines and the fan of my computer. I altered the recordings digitally to be warmer and less abrasive. I wanted to use the repetition of the mechanical devices to set the beat of the audio, and highlight the fluidity of the dancers movements.
The variation ‘Pinioned II’ is ultimately about finding new ways to stay interested in your daily grind.It can be dull, but there is some comfort in repetition and you can always do things a little differently.
John Carberry
Håkan Carlbrand
HD
Duration 02:42
Aspect Ratio: 16:9
From Stairway to Dollhouse is a film about Martin Joss. It is a film about life.
Receiving a death notice and knowing that the future is limited in time, what can it do to the mental state? The film addresses the question of appreciating life anew and gaining insight into what is important in life. Love, friends, what feelings are the strongest when you examine yourself?
What happens in a person's head when the doctor gives the message that there is only a limited time left to live?
This is exactly what happens to Martin Joss. He contracted Hepatitis C at a young age, lived with the virus for a long time and has now developed an incurable cancer. He has between six months and maybe a couple of years left to live.
The film addresses his perspective on life, his questions about life and the value of living. His thoughts about friends, family, about what he will leave behind.
Martin has a passion for music and plays several instruments. He has a venue in central Hisingen that he rents out to music enthusiasts who don't have money or are otherwise a bit outside society. There is a large circle of friends here that means a lot to him.
Another passion he has acquired recently is a dollhouse that he built as a parallel world of his life. In the doll's cabinet, he has single-handedly built an interior in the form of a mirror image of his own home and the music venue. A mirror image of his own life.
The film is supposed to move between Martin's physical world and his dollhouse world where he reflects on central values in his life and how his outlook on life has changed due to the disease.
From Stairwell to Dollhouse
2022
Håkan Carlbrand
HD
Duration 02:42
Aspect Ratio: 16:9
Stairwell to Dollhouse
Receiving a death notice and knowing that the future is limited in time, what can it do to the mental state? The film addresses the question of appreciating life anew and gaining insight into what is important in life. Love, friends, what feelings are the strongest when you examine yourself?
A film about life.
What happens in a person's head when the doctor gives the message that there is only a limited time left to live? This is exactly what happens to Martin, which the film is about. He contracted hepatitis C at a young age, lived with the virus for a long time and has now developed an incurable cancer. He has between six months and maybe a couple of years left to live. The film addresses his perspective on life, his questions about life and the value of living. His thoughts about friends, family, about what he will leave behind.
Martin has a passion for music and plays several instruments. He has a venue in central Hisingen that he rents out to music enthusiasts who don't have money or are otherwise a bit outside society. There is a large circle of friends here that means a lot to him.
Another passion he has acquired recently is a dollhouse that he built as a parallel world of his life. In the doll's cabinet, he has single-handedly built an interior in the form of a mirror image of his own home and the music venue. A mirror image of his own life.
The film is supposed to move between Martin's physical world and his dollhouse world where he reflects on central values in his life and how his outlook on life has changed due to the disease.
Håkan Carlbrand
On Off Shore – alpha version
2022
Gustav Hellberg
HD1080
Duration 07:33
Aspect Ratio: 16:9
Duration 07:33
Aspect Ratio: 16:9
On Off Shore is an ongoing video project where I am revisiting a four year old video film project that never was shot. Using research material and location video footage I am recreating the essence of my original visions and intentions.
On Off Shore is part the collaborative project In the Process of... where it is one of the developing projects that viewers are allowed to follow.
On Off Shore is an ongoing video project where I am revisiting a four year old video film project that never was shot. Using research material and location video footage I am recreating the essence of my original visions and intentions.
On Off Shore is part the collaborative project In the Process of... where it is one of the projects development that viewers are allowed to follow, a work in progress.
The tidal mudflats off the coast of Baegmihang, Buan, Chebudo, Ganghwado and Julpo have been through relentless and thoughtless campaigns to be altered into suitable land for industrial and sometimes agricultural development projects. Korean industry, finance and politicians make out a tight and impenetrable power conglomerate focusing entirely on finacial control and economic growth. The results of their activities are damaged eco systems and social disaster. Very few of these, extraordinary expensive, undertakings led to desired economical outcome. On the contrary, most of them have been costly financial failures. People’s livelihood lie in ruins and the land has become useless for any human endeavour. Several ecological systems have become irreversibly broken.
I find the tidal mudflats interesting as a metaphor for the dilemma that people's understanding of their environment engender. These mudflats are only pieces of land half of the time. The other half of their existence they are submerged under water. This establishes a dualistic continuance of being. Not only does the tidal mudflat avoid an unambiguous definition its physical constitution further evades a distinct apprehension. The emerged plane can have any consistence from being solid through viscous to fluid. Its continuously changing character is of such confusing demeanour that most people avoid ideas to exploit this transient land areas.
Gustav Hellberg
HD
08:39
The film is made in one long unbroken, (unedited) take.
Without language and tools, "Klimpen" goes on a journey of discovery through the sculpture. A little dreamy, K explores the sculpture with its body and sometimes glances at the "camera", at me. K makes sure I'm close but pretends it doesn't care. K that has access to the herd and to the ability to go off alone. Born and raised on the farm, has in its upbringing alternated between people, cats and the rest of the sheep. K moves as I move, (with the camera, (an Ipad) in my hands). K keeps calm despite being alone. Slowly, K makes its way through the construction to finally step out and stand still just in front of it. As if it were directed. All the time with a reasonable distance from me.
Fåret, Tunet, Slanorna
2022
HD
Duration: 08:39
The film is made in one long unbroken, (unedited) take.
The place for the setting is the yard at my farm, the poles have once, (quite some time ago) been collected and "saved for the future", for constructing a Hay fence, to dry grass into hay.
With the help of a group of 10 people a construction was built. A non practical construction.
Without language and tools, the sheep "Klimpen" makes its way through the construction to finally step out and stand still just in front of it. Almost as if it were directed. I, the artist also walked around inside the sculpture, with an iPad in my hands with which I filmed. The film was made in one long unbroken, (unedited) take. 8.39 min.
The film was possible to make thanks to the strong attachment the sheep has to me, the owner and the artist, after being rejected by its mother at birth, (five years ago). K has both access to the herd and to the ability to go off alone, a rare combination.
With the help of a group of 10 people a construction was built. A non practical construction.
Without language and tools, the sheep "Klimpen" makes its way through the construction to finally step out and stand still just in front of it. Almost as if it were directed. I, the artist also walked around inside the sculpture, with an iPad in my hands with which I filmed. The film was made in one long unbroken, (unedited) take. 8.39 min.
The film was possible to make thanks to the strong attachment the sheep has to me, the owner and the artist, after being rejected by its mother at birth, (five years ago). K has both access to the herd and to the ability to go off alone, a rare combination.
Johanna Karlin
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
Moving a Forest v2.0: 2050 Urban Planning Game
2022
Borahm Kim
dimensions variable
Paper, audience-participating work
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
Moving a Forest v2.0: 2050 Urban Planning Game
It is now 2030. The climate crisis problem is not being solved at all. ‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2. The automobile industry and the livestock industry are the main industries here. Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them.
However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
Moving a Forest v2.0: 2050 Urban Planning Game
2022
Borahm Kim
dimensions variable
Paper, audience-participating work
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
Moving a Forest v2.0: 2050 Urban Planning Game
It is now 2030. The climate crisis problem is not being solved at all. ‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2. The automobile industry and the livestock industry are the main industries here. Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them.
However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
Moving a Forest v2.0: 2050 Urban Planning Game
2022
Borahm Kim
dimensions variable
Paper, audience-participating work
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
Moving a Forest v2.0: 2050 Urban Planning Game
It is now 2030. The climate crisis problem is not being solved at all. ‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2. The automobile industry and the livestock industry are the main industries here. Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them.
However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
Moving a Forest v2.0: 2050 Urban Planning Game
2022
Borahm Kim
dimensions variable
Paper, audience-participating work
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
Moving a Forest v2.0: 2050 Urban Planning Game
It is now 2030. The climate crisis problem is not being solved at all. ‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2. The automobile industry and the livestock industry are the main industries here. Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them.
However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
Moving a Forest v2.0: 2050 Urban Planning Game
2022
Borahm Kim
dimensions variable
Paper, audience-participating work
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
Moving a Forest v2.0: 2050 Urban Planning Game
It is now 2030. The climate crisis problem is not being solved at all. ‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2. The automobile industry and the livestock industry are the main industries here. Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them.
However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
: 2050 Urban Planning Game
2022
dimensions variable
Paper
Audience-participating work
It is now 2030. The climate crisis problem is not being solved at all.
‘Tanju’, a virtual city located in Korea, is the second largest city after Seoul, with an average population density of 8,043/Km2.
The automobile industry and the livestock industry are the main industries here.
Natural disasters have become serious due to climate change, but ‘Tanju’ has turned a blind eye to them. However, as the climate crisis protests intensified, the city reluctantly decided to come up with a climate adaptation policy and asked the ‘Future Forest Environment Research Centre’ to work on it.
Visitors can participate in this policy study by becoming a novice researcher at the ‘Future Forest Environment Research Centre’. To realize carbon neutrality, trees must be planted by securing half of the urban area. Researchers need to choose policies to do this.
This work is part of a theatre performance. Modified for exhibition.
‘Moving a Forest Theatre Game 1.0’ was premiered at Seoul Performing Arts Festival(SPAF) 2022.
Produced by Untitled Road, Producer Group DOT
Associated by Artists’ Residency at Arts Farm Tutbat – Climate Change
Photography 2022 SPAF / ⓒSang Hoon Ok
Borahm Kim
Video, HD1080
Duration: 08:04
Aspect ratio: 16:9
At the moment I am making a series of video portraits and video paintings with a common name - "Stabilization" In a technical sense, stabilization is a function, a program that is built into the equipment - a video camera and a video editor program. From an artistic point of view, stabilization works as an artistic method, image, as well as a visual idea - when the video is shot "hand-held" or from a tripod and, during subsequent processing, is stabilized either relative to the character or relative to the lens frame. Stabilization, as an endless process of striving for "balance", the state of which is infinitely short.
Stabilization
2022
Roman Korzhov
Video, HD1080
Duration: 08:04
Aspect ratio: 16:9
Video, HD1080
Duration: 08:04
Aspect ratio: 16:9
At the moment I am making a series of video portraits and video paintings with a common name - "Stabilization" In a technical sense, stabilization is a function, a program that is built into the equipment - a video camera and a video editor program. From an artistic point of view, stabilization works as an artistic method, image, as well as a visual idea - when the video is shot "hand-held" or from a tripod and, during subsequent processing, is stabilized either relative to the character or relative to the lens frame. Stabilization, as an endless process of striving for "balance", the state of which is infinitely short.
Stabilization
At the moment I am making a series of video portraits and video paintings with a common name - "Stabilization" In a technical sense, stabilization is a function, a program that is built into the equipment - a video camera and a video editor program. From an artistic point of view, stabilization works as an artistic method, image, as well as a visual idea - when the video is shot "hand-held" or from a tripod and, during subsequent processing, is stabilized either relative to the character or relative to the lens frame. Stabilization, as an endless process of striving for "balance", the state of which is infinitely short.
Roman Korzhov
Mixed media
80x120 cm
Flying. № 12
2022
Nelya Korzhova
Mixed media
80x120 cm
Nelya Korzhova uses photos and videos as inspirations for her paintings. She allows various aspects of cinema to influence her paintings such as incorporating the black letterbox bars and movie theatre curtains es image elements. For the project In the Process of… Korzhova sat out to follow a transition of her painting into the digital space. “New technologies have greatly influenced the concept - what is a painting?”.
The painting Flying. № 12 shows a wintery looking landscape of what looks like a sandy beach. The dark water is covered with ice floes. On the edge between water and beach we can see a small human figure. At the right end of the painting some yellow structures resembling football goal posts can be seen. The scene is seen from above and is somewhat tilted, which probably indicates the painting has a photography as origin. Both the human figure and the yellow structures look insignificant and misplaced. The scene is tilted. It is as if the painter is loosing a grip of the surroundings. The instantaneous character of a technical reproduction is there.
A technical object, such as a camera, can only create an image according to its settings. It doesn’t use experience and craftsmanship in its creation.
The painter’s activity focuses on making a painting according to the conventions of painting, where experience and craftsmanship are elemental. Korzhova’s reproduction of a photograph is more interesting if we take in her entire process and not only the motif. It is easy to see the frozen landscape and little human figure. However, the painting depicts another image, a photograph and not just the landscape we all probably see at our first glance. It is an interesting play with reality and fiction and it also leaves us to the question if this is a mere painting or more readily a work in the domains of conceptual or process art
Nelya Korzhova
2022
On the walking path to my studio in Hisingen, Göteborg Sweden I pass a small building close to a part of the Volvo truck factory and a small forest between the factory area and living houses
The small building is a kind of shell construction and it doesn't look to have a function. Through my walks, I noticed that copper thieves use the hole in the wall to drop the cable insulation in the house. One day when passing by and as usual locking at the whole I heard a woodpecker nearby.
The woodpecker sound and the image made a big impact on me and I felt that I wanted to try out to work with the sound and the image.
Project Hacke – Interaction with Nature and Coincidences
2022
Multimedia
Dimensions variable
N.N.
30x40 cm
In my process of thoughts, walks of pleasure and sense, on an everyday basis for possible works.
On my studio wall, I have a Josef Boys print, this print is placed side by side with a painting from my grandfather Jim Hornö, he was an autodidact artist and was thrilled about the idea from Beuys "Jeder Mench ist ein Künstler" “Every man is an artist” I nailed up this two pictures on my studio wall 18 months ago.
My first vague idea was to see what impact this constellation could have on me, and expose myself to this constellation and if that could make me more aware of something………..
The natural following idea was to connect my paper works, watercolors, and linoleum prints, and place them side by side with the pictures and see what happens. I got the feeling that the impact of this setup also came out in my daily walks and how I responded to the surrounding neighborhood on a daily basis. I felt that I recognise and saw similar structures on my studio wall with Joseph Beuys print and my Grandfathers painting "The dogs" (hundarna), and the collected research material for the "Hacke Project" The images and associations hook and connect in my mind on an emotional level. It feels good.
The small gray house along the road to my studio functions as some kind of mirror of thoughts. When something happens around the house and surroundings, it automatically started to generate new thoughts about life and how these changes are connected to my mind and the microcosmos generated along my walking path. Nothing odd with this, I suppose all human beings create sense and meaning from feelings and surrounding information. The initial idea of "The Wall" was to create a visualization of a situation that impacted me, and an attempt to transport a fragile impression, manifested in image sound, and material.
Peter Ojstersek
Peter Ojstersek
The green power of nature and the wisdom of nature - ”A pilgrimage in the footsteps of Hildegard av Bingen” The research of discover Hildegard av Bingens landscape and home arena, took part in spring 2022 in Germany.
The projects started in 2020 with research, performance and various collaborations between
musicans, artists, singers, and different prayer groups. Hildegard received a vision that she would write down her thoughts and visions. Hildegard is not writing for her own time but for posterity, for the time "when the air cannot be breathed and the water cannot be drunk". I connect her texts to the present and experience them more current than ever. I am trying to connect with Hildegard and to approach my art and be in her context regarding nature and her prophetic texts.
My video work "the green power" is about slowing down. What happens when you take the time to meet a bumblebee. Listen to what she has to say. I saw and heard Hildegard through the bumblebee.
I have always been fascinated by nature/animals listening to it/them. It is one of my biggest sources of inspiration. My work are often about the divine in nature and getting in touch with the intuitive, whether I paint or work digitally. To trust the drive.
A pilgrimage in the footsteps of Hildegard of Bingen
2022
Linda Petersson Ödbring
HD video
Duration 03:01
Aspect Ratio: 16:9
I have a documentary approach, working with photography, installations, paintings and video, often in a conceptual way. I take a documentary approach to my practice exploring the space of the archive and history, searching for lost and alternative histories.
The green power of nature and the wisdom of nature - ”A pilgrimage in the footsteps of Hildegard av Bingen” The research of discover Hildegard av Bingens landscape and home arena, took part in spring 2022 in Germany.
The projects started in 2020 with research, performance and various collaborations between
musicans, artists, singers, and different prayer groups. Hildegard received a vision that she would write down her thoughts and visions. Hildegard is not writing for her own time but for posterity, for the time "when the air cannot be breathed and the water cannot be drunk". I connect her texts to the present and experience them more current than ever. I am trying to connect with Hildegard and to approach my art and be in her context regarding nature and her prophetic texts.
My video work "the green power" is about slowing down. What happens when you take the time to meet a bumblebee. Listen to what she has to say. I saw and heard Hildegard through the bumblebee.
I have always been fascinated by nature/animals listening to it/them. It is one of my biggest sources of inspiration. My work are often about the divine in nature and getting in touch with the intuitive, whether I paint or work digitally. To trust the drive.
Linda Petersson Ödbring
2022
pigment inkjet print
85 x 57 x 3,5 cm
In the photographic series of the project »2Dbody3Dcode«, an immediate relationship between being human, physical and digital worlds is traced and new starting points, connections and openings are sought, which imagine a future beyond capitalist, colonialist and exploitative concepts of life. Thereby, one's own body directly becomes material; different materialities come into contact with each other. What connections are drawn between patterns of nature and computer generated algorithms that structure our everyday lives ever more comprehensively? With the quote of the philosopher Yuk Hui in mind: »Our computers, smartphones, and domestic robots are no longer mechanical but are rather becoming organic.« nature is observed and an attempt is made to discover interfaces between the experience of nature and digital logics in the landscapes.
2022
pigment inkjet print
artist frame
85 x 57 x 3,5 cm
2022
pigment inkjet print
artist frame
85 x 57 x 3,5 cm
2022
pigment inkjet print
artist frame
85 x 57 x 3,5 cm
2Dbody3Dcode
2022
Algorithmic Catastrophe
Artificial Earth
Close Proximity
Mud Matter
Superorganism
pigment inkjet print
artist frame
85 x 57 x 3,5 cm
2022
pigment inkjet print
artist frame
85 x 57 x 3,5 cm
In the photographic series of the project 2Dbody3Dcode, an immediate relationship between being human, physical and digital worlds is traced and new starting points, connections and openings are sought, which imagine a future beyond capitalist, colonialist and exploitative concepts of life. Thereby, one's own body directly becomes material; different materialities come into contact with each other. What connections are drawn between patterns of nature and computer generated algorithms that structure our everyday lives ever more comprehensively? With the quote of the philosopher Yuk Hui in mind: »Our computers, smartphones, and domestic robots are no longer mechanical but are rather becoming organic.« nature is observed and an attempt is made to discover interfaces between the experience of nature and digital logics in the landscapes.